Call me an Improv writer: I never know what happens I write I see what happens. This is not a good way to write a screenplay where you must know your beginning and your ending. Right now I have a nice little draft that will see several edits before December 15th. I like how it ends... but...
Cliché 1: Ends in Vegas
Cliché 2: Rooftop fight (with real sabres! Kind of)
Cliché 3: Girl in trouble (kind of)
Taking a page from the Elizabeth chapter of my life, the girlfriend doesn't end the story on the best of terms. I might even get to throw in that emo claddagh ring scene I wrote a while back.
Tomorrow? Poli Sci and I might work out. Of course this is going to be balanced with my heading to Tims to try those new breakfast sandwiches. I haven't had a good cup of Tims coffee in a while.
Tonight? A Mark Led Sunday Shift. Ed closed. The rain was bad enough it kept people away and I learnt once again I'm really good at my job*. Whew, for a second there I was starting to worry.
That has to be a line I took from something. I know it sounds like a normal speech, but it has that certain connotation that I can't do.
Mark has an ambitious Fanfic AU envisioned. He'll needs Staci and me for backup. In a nutshell: Stargate + Battlestar + Justice League.
My mind is buzzing for things we can do. Mark already has Superman and the entire Kyptonian race being ancients. Which works.
I don't think I can "script doctor" my own things. That's simply called a rewrite.
(sigh)
but "script doctoring" sounds so cool! Whedon did it for Speed!
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Scene II
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So if a screenplay is for a movie does that mean a teleplay is for Tv?
Cleric, that's a yes.
Oh, look at me answering my own questions. I find it hard to write a screenplay after seeing such a finely written Aaron Sorkin teleplay of "Nevada Day pt. 1" for "Studio 60 on the Sunset Strip." I feel ashamed to even attempt to write anything after such a masterful screenplay.
I can watch Carl Binder, Martin Gero or Robert Cooper and still keep writing. Not like Stargate episodes are poorly written: they simply do not have the witty dialogue I'd like to write(well, maybe the Sheppard and O'Neill lines) Cooper wrote Sateda though...which is a good one
Sheppard: I don't know, Killin' a bunch of Wraith always seems like a good idea to me
Or
Sheppard: It seems Ronan doesn't want to leave
McKay: Well too bad. You tell that ungrateful example of unevolved humanity that we came all this way to rescue him, so he'd better get off his a...
(Cuts to Sheppard on Radio)
Sheppard: McKay says he's very hurt you won't come with us.
Always thanks to the fine people at Gateworld.net for their transcripts so I can quote exactly.
Anything else? Nope. Omar and I are paring up later this week to tackle that Stats assignment. This time we won't wait until 20 minutes before the class. How does Wednesday sound? I think it sounds like an "umph" sound because you're working over that hump.
I'm probably going to lose the window with Dani. However, I learnt that MSN names aren't the be all /end all of data. It's worse then blog skimming. You have to read months and months worth of blogs to get any reliable picture of a person.
Or maybe I just say that to make myself seem more complicated.
Yes. She still gets a colour. I think you can't take it away once it has been assigned unless they are fictional characters. Whenever I think Dani: I think Green
I'm done. Saint is up for a run tomorrow no matter what! Even if I have to run through her neighborhood screaming.
*Well, that woman regarding buying "The Sentinel" seems sort of fake on the phone, but I'll even take fake gratitude. She looks kinda fake when she came in too...
-Cleric